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ISBN 0-9733952-2-2 chapbook edition of 200 $30
Taking My Blood was written while Gervais spent seventeen days in Hotel Due Hospital in Windsor, after he suffered from a debilitating attack of Crohn’s disease. After a week of intensive treatment for pain, he began writing poems about life on Seven North. Written in a gritty narrative style, the work combines the intimate language of solitude and reflection with unexpected bursts of humour.
The cover stock is St. Armand Ontario Flax canal paper. The end papers are Japanese ogura lace, made of manila hemp. The main text was laser printed on 60lb Neenah columns paper in classic natural white, and the center pictorial foldout was printed on Neenah crest. Photographs were also laser printed on transparency films. Tipped in original photograph by Marty Gervais. Letterpress cover labels hand-set and printed on a Manton Bros. platen press. Books were hand sewn with linen thread. Limited edition of 200 numbered copies, signed by the author.
On-line orders will receive as a gift Kaleidoscope volume 2.1. This journal issue includes poetry and photographs by Marty Gervais in the feature The Cowgirl Hall of Fame. No additional postage costs.
Book Excerpt:
Watching Her Hands
The morning my mother died I lingered outside the hospital room Spied the women tear down the sheets, pack up things from the closet and toss away old newspapers from the night stand — chat about going down for coffee about hospital cutbacks a bully at school bothering a younger son This morning on Seven North they strip down the bed next to me, put away tin bedpans and plastic bleeding dishes drag in an IV pole hang a fresh clipboard at the end of the bed ready for the next This morning the bed on the other side of the curtain is readied by Luciana, and Albanian woman who emigrated here eight years ago leaving her family behind She hasn’t seen them since She’s here now to make a living, to make this bed I watch Luciana’s hands flutter the sheets in the low morning light — a tumult of shapeless white tumbling softly above a plasticized mattress on Seven North I watch her hands tuck and flatten, then finally skim across the smooth plane of the bed, and only then am I reminded of the deftness of my mother rolling out lumpy dough of an apple pie on the sideboard near the back screen door to keep the summer flies at bay and how I used to study that one final gesture of hers as her fingertips caressed the flat dusty surface of the dough before lifting it with one hand — fingers now spread like spokes — suspended for an instant before gently placing it over the white diced apples already browning from the kitchen air
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